Physical Specifications |
|
Dimensions (W x H x D mm) |
310mm / 12.2" x 504 mm / 19.8" x 63mm / 2.5" |
Weight |
6.2kg / 13.7lb |
Mount points |
Top: 4 x 1/4' 20, 2 x 3/8", Bottom: 6 x 1/4' 20, 3 x 3/8" Right: 4 x 1/4' 20, 2 x 3/8", Left: 2 x 1/4' 20, 1 x 3/8" |
VESA mount |
100 x 100 |
Environmental |
|
Ambient operating temperature |
Up to 40 Degrees Celsius |
Construction and Control |
|
Cooling |
Actively controlled fan and Heat Sink |
Tally light |
Rear and front |
Multi-function button |
Power / lock Screen |
Touch Screen |
Yes |
Power |
|
Input voltage |
DC 12-16.8v |
Operating power |
75W |
Compatible batteries |
V-Lock / Anton Bauer Gold Mount via XLR terminal, (optional mounting plates available), 95Wh+ recommended. |
Battery voltage |
14.4V nominal |
Battery Run time (Record) |
Depends on Watt Hours specification of battery used |
Battery Run time (Monitor only) |
Depends on Watt Hours specification of battery used |
Continuous power |
Dual Battery input via dedicated 4 pin XLR |
DC in connector |
1 x 4 pin XLR (12-16.8V) |
Dtap |
Via optional D-Tap to 4 Pin XLR cable. |
Display |
|
Touchscreen |
SuperAtom IPS panel (capacitive touch) |
Size |
19" |
Resolution |
1920 x 1080 |
PPI |
120 |
Bit depth |
10Bit (8+2 FRC) |
Backlight Type |
Optically bonded quantum dot |
Brightness (cdm2 / nits) |
1200nit (+/- 10% @ center) |
Aspect ratio |
16:9 Image Display |
De-interlace mode |
Yes |
Color Gamut |
DCI P3 |
Calibration support |
Atomos Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus |
Color Pipeline |
|
Gamma |
Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 /LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic V-log, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm F log, PQ (HDR10), HLG, Nikon N-Log |
Gamut |
BT2020, DCI P3, DCI P3+, DCI p3 65, Sony SGamut / SGamut3 / SGamut3.cine, Canon Cinema, Panasonic V Gamut, Arri Alexa Wide Gamut, Rec709, JVC LS300, F-Gamut, Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut |
3D LUT Display |
.Cube format |
3D LUT Output |
Loop out |
3DLUT 50/50 |
Yes |
Monitoring Modes |
Native/ 709 / HLG / PQ / 3D LUT |
HDR output Conversion |
HDR to HLG / PQ |
Color Management |
|
Calibration |
Atomos Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus |
Display Controls |
Backlight, Lift, Gamma, Gain |
AtomHDR |
Built in Technical Log to HDR EOTF |
3D LUTs |
Display, monitor and output, Record, Load via SSD |
Legalize |
Full to Legal conversion available on Input |
Video Input |
|
HDMI |
1 x HDMI (2.0) 4K p60 |
HDMI RAW |
No - HDMI Video only |
SDI |
4 x 3G SDI, with 2 x 12G SDI backwards compatible, auto detection |
SDI RAW |
Apple ProRes RAW up to 6Kp30 |
Bit Depth |
8/10Bit Video / RAW up to 12Bit |
Video Chroma Subsampling |
YCbCr 422 |
HDR |
Yes with Auto detection |
Metadata |
|
SDI |
File Name from Arri, RED. RAW - white balance, Exposure index, Shutter speed/angle, Iris F stop, ISO, Gamma, gamut |
File Naming |
|
Standard |
S/S/T & Rolling |
Via SDI |
Red, Arri |
Video Output |
|
HDMI |
1 x HDMI (2.0) 4K p60 |
SDI loop out |
1 x 12G SDI Backwards compatible, Auto detection. Level A and B selectable |
SDI Play out |
1 x 12G SDI Backwards compatible, Auto detection. Level A and B selectable |
Video Chroma Subsampling |
422 |
Bit Depth |
10Bit Video / 12Bit RAW |
Web Streaming |
|
USB UVC |
Optional via ZATO Connect / USB Stick |
Video Signal Conversion |
|
HDMI to SDI |
Yes |
SDI to HDMI |
Yes - Video and RAW |
Audio In/Out |
|
Audio Quality |
24-Bit / 48kHz |
Audio Codec |
PCM |
HDMI |
8ch 24Bit, input dependent |
SDI |
12ch 24Bit, input dependent |
Analogue Audio in |
2 x XLR |
Analogue Audio Out |
2 x XLR |
Speakers |
2 x 5w |
Headphone out |
3.5mm 2ch. |
Timecode / Sync |
|
Embedded |
SDI and HDMI |
Time of day |
Yes, Time and Date |
LTC |
LTC via BNC input in Record mode |
Genlock |
Genlock in Playback mode |
Resolution and Frame Rates (Record, Monitor & Playback) |
|
4k DCI |
up to 4Kp60 |
4k UHD |
up to 4Kp60 |
2K DCI 2046 x 1080 |
up to 2Kp60 |
FHD 1920 x 1080 Progressive |
up to 1080p120 |
FHD 1920 x 1080 PsF |
Pull down |
FHD 1920 x 1080 Interlaced |
1080i50 / 1080i60 |
1280 x 720p |
60p |
6K RAW |
up to 6Kp30 Via SDI |
4K RAW |
up to 4Kp60 via SDI |
2K RAW |
up to 2Kp240 via SDI |
Recording CODEC |
|
CDNG |
For SDI RAW inputs Only |
Apple ProRes RAW |
ProRes RAW, ProRes RAW HQ up to 12bit 6Kp30 / 4Kp60 |
Apple ProRes |
Apple ProRes HQ / 422 / LT up to 4Kp60 |
Avid DNxHD |
up to 1080p60 |
Avid DNxHR |
up to 4Kp60 |
Playback |
|
Playlist |
Yes, Create custom play lists from full or sub clips |
Loop |
Yes, with user customizable in / out markers |
CDNG |
No |
Apple ProRes Raw |
Yes, recorded clips with linear PCM |
Apple ProRes |
HQ / 422 / LT - Yes with linear PCM |
Avid DNx |
DNxHR / DNxHD - Yes with linear PCM |
Monitoring |
|
SDR |
Native, 709, LUT |
HDR |
HLG, PQ Rec2020 |
De-Interlace |
Selectable mode |
Recording functions |
|
Pre-roll record |
Yes (HD 8s, 4K 2s) - Not available in RAW |
ISO Record |
4 x ISO up to 1080p 60 (3G SDI Level A ONLY) |
Switched Program Record |
Yes Up to 1080p 60 |
Timelapse |
Yes |
Multi Input / Switching |
|
SDI A/B toggle |
Yes, supports up to 12G SDI per input |
Dual Input display |
Via Multi ISO input mode |
Multiple SDI input |
Up to 4 x up to 1080p 60 (3G SDI Level A ONLY) |
Multiview Display |
Via Multi ISO input mode |
Input transitions |
Auto or manual XML transition |
Input Switching |
Yes |
Supported media |
|
Master Caddy I |
No |
SSDmini |
Yes (AtomX SSDmini handle required) |
CFast II |
Not supported |
File System |
ExFAT |
Interface |
SATA 3 |
Master Caddy III |
Yes |
On screen tools |
|
Waveform |
3 sizes |
RGB parade |
3 sizes |
Vector scope |
2 size / Position |
1 x Zoom |
Yes. 1:1 Pixel mapping for 4K |
2 x Zoom |
Yes |
Focus peaking |
Colour selected / threshold setting / colour/ Mono / edges only |
False colour |
Yes, with IRE scale |
Zebra |
Yes, customisable |
Isolate color channel |
Blue only |
Cine Frame Guides |
2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3 |
Social Frame guides |
9:16, 1:1, 1.91:1, 4:5 |
Safe areas |
SMPTE frame size – Action and Safe |
Grid markers |
9 grid |
Anamorphic desqueeze |
Display 1.25x, 1.33x, 1.5x, 1.8x and 2x |
Display Flip |
Vertical |
False Color |
Yes, with IRE scale |
Onboard Signal Processing |
|
4K UHD Downscale for HD |
Loop out - 4K UHD to FHD |
DCI Crop |
Loop out - 17:9 to 16:9 Crop |
I > P |
60i > 24p (3:2 pulldown) |
PSF > P |
24/25/30pSF > 24/25/30p (2:2 pulldown) |
Remote control |
|
HDMI |
Auto HDMI Trigger, Supported Protocols - Canon, Sony, Atomos Open Standard |
SDI |
SDI trigger, camera selectable |
Serial 2.5mm Jack |
LANC control and calibration via optional USB to serial cable |
Cut & Tag |
|
FCP XML |
Cut tag EDL and Multicam with transitions in FCP XML |
Supported Applications |
|
XML |
Apple Final Cut Pro |
Apple ProRes RAW |
Apple Final Cut Pro, Adobe Premiere, Avid Media Composer, Grass Valley Edius, ASSIMILATE SCRATCH |
Video Codecs |
All applications with support for Apple ProRes and Avid DNX in .MOV wrapper |
What’s in the box |
|
Accessories included |
SUMO 19SE unit, 1x Master Caddy II, 1x BattWing mounting bracket with 4x screws, 2x Desktop Feet with 4x 1/4” Mounting screws, AC power supply |
Optional extras |
Sunhood, UltraSync One, HDMI cables, USB to serial cable |
Warranty |
|
Standard |
1 Year |
Extended |
3 Years |
Target use / User |
|
Cinema |
Yes |
Director Monitor |
Yes |
Mixer/Swircher/ProAV |
Yes |
Rack/OB |
Yes |
DIT/Video Village |
Yes |
Pro Video |
Yes |
Editor/Colorist |
Yes |